We were working today with making sound drawings with a recording of Arseny Avraamov’s Symphony of Siren’s in the studio at Madlab Salford. This is part of our research into making a scored light element to play our noise machines as part of the final Arts + Tech exhibition in September.
If you don’t know the piece its a pretty incredible realisation of total music; a score live mixing the varied sound elements found in the city of BAKU in 1922 to celebrate 5 years of the October Revolution.
Come and join us next Friday for a series of short artist talks on cohort members works in progress on the Arts + Tech Accelerator we’ve been part of at Madlab the first part of this year. Info on how to attend here.
First trial out of using the copper etching process with our new logo. Lit from behind and hand riveted into one of the polished steel pieces Vicky has worked on with our metal fabricators in Macclesfield. This gives a bit of an idea of how the metal prototypes could look!
Been having lots of fun the last few weeks learning my way around the process of designing and etching Printed Circuit Boards. We were shown the process by Marc Dusseiller one of the mentors on the Arts + Tech programme.
Initially I was exploring simple hand drawing circuits using posca ink markers but then learnt how to design boards in the Eagle software programme (there’s a free version of Eagle available if you follow through the link) Its a pretty useful tool as you can layout the schematic digitally and then eagle converts this into a mapping out of all the connections needed on the PCB; you just need to then route them manually to make sure no connections are touching. The design is then printed onto acetate and placed over a photosensitive blank copper pcb; this goes under a UV light (In our case a nice dayglo pink UV nails light as recommended by Marc!) and exposed for between 30 seconds and a minute. After exposure the boards goes straight into a developer solution for about 30 seconds. The developer is 1% solution of Sodium Hydroxide (NaOH) (Its basically a very diluted version of the sort of thing you unblock sinks with!) After this stage it goes into the etching solution Ammonium Persulphate (NH4)2S2O8. At this stage you need to add boiled water to a basin the etching solution is sitting in (in this punkrock version anyway; it is possible to rig up a water heater/pump solution) to bring the etching fluid up to a temperature around 50/60 degrees where it works better) It seems to be taking between a few minutes and 15/20 minutes for all the unwanted copper to be removed from the board, dependant on the timings on the previous stages.
There’s another nice detailed walk through of basically the same process here http://sfprime.net/pcb-etching/#development